Wednesday, September 9, 2009

Attention rock-star wannabes -- follow this amazing list from Lefsetz

As you know, I'm a HUGE FAN of music industry insider Lefsetz. He wrote a list he sent out today that pretty much NAILS IT as far as the best advice you could ever get to be a rock star -- in music and in life. He was writing about Steve Jobs as a role model's role model. All of his text is in red -- mine is in a sort of hot pink. (I did not want to clutter up this amazing piece of writing with quote marks or notes of any kind!)

NOTE: The photos are of (01) future rock stars, below, Joe Fornothin' performing at Parker Library. I used them because they are young and passionate. (Lefsetz would love them!) And then there is (02) Meese, here. Meese = almost-there rock stars; more local boys done well. I LOVE Meese. The screenshot is from their video for "Next in Line."

What kind of crazy, fucked-up world do we live in where the biggest rock star doesn't even play an instrument? ... [W]hat I find utterly amazing is I'm more interested in what Steve Jobs has to say than any musician.

And I'm not alone.

He's autocratic. Beholden to no one. Says no to partners. Does what he thinks is right. ...

While today's 'artists' make music by committee, kissing the butts of everyone in the food chain of retail and publicity, this guy in Northern California, far from the streets, has amassed a following larger than any band.




Don't make deals with sponsors.

Don't worry about offending.

And you might have a career that lasts a decade or two.

Pursue your dream.

Don't focus on the hit.

Break the rules.

Tell those in your way to fuck off.

Don't be afraid of alienating potential customers.

And you might just grow a fan base dedicated enough to give you all its money, and evangelize to others, getting them to part with their dough too.

I dunno about you, but Lefsetz is a HUGE rock star in my book.

--
Visit the Lefsetz archive: http://lefsetz.com/wordpress/
--
Follow him on Twitter: http://www.twitter.com/lefsetz
--
Subscribe to the LefsetzLetter. Trust me, he sends the best, most insightful email newsletter about the music industry. You won't be unsubscribing. EVER.

Tuesday, September 1, 2009

Flobots lyrics ...

Best-kept blogger secret: The best way to up views of any blog is to post Flobots lyrics on it. I'm totally serious. Here are the lyrics to Handlebars by the Flobots. Just watch my profile views. Up, up and away. And, BTW, I hate the second version of the video. The first one -- see screenshot -- is way more political. The second one, it is like, I dunno. You cannot always make the political palatable to the masses. Why ruin a good thing? The first one was awesome.

Handlebars by the Flobots ...

I can ride my bike with no handlebars
No handlebars
No handlebars

I can ride my bike with no handlebars
No handlebars
No handlebars

Look at me, look at me
hands in the air like it's good to be ALIVE
and I'm a famous rapper
even when the paths're all crookedy
I can show you how to do-si-do
I can show you how to scratch a record
I can take apart the remote control
And I can almost put it back together
I can tie a knot in a cherry stem
I can tell you about Leif Ericson
I know all the words to "De Colores"
And "I'm Proud to be an American"
Me and my friend saw a platypus
Me and my friend made a comic book
And guess how long it took
I can do anything that I want cuz, look:

I can keep rhythm with no metronome
No metronome
No metronome

And I can see your face on the telephone
On the telephone
On the telephone

Look at me
Look at me
Just called to say that it's good to be
ALIVE
In such a small world
I'm all curled up with a book to read
I can make money open up a thrift store
I can make a living off a magazine
I can design an engine sixty four
Miles to a gallon of gasoline
I can make new antibiotics
I can make computers survive aquatic conditions
I know how to run a business
I can make you wanna buy a product
Movers shakers and producers
Me and my friends understand the future
I see the strings that control the systems
I can do anything with no assistance
Cuz I can lead a nation with a microphone
With a microphone
With a microphone
And I can split the atom of a molecule
Of a molecule
Of a molecule

Look at me
Look at me
Driving and I won't stop
And it feels so good to be
Alive and on top
My reach is global
My tower secure
My cause is noble
My power is pure
I can hand out a million vaccinations
Or let'em all die in exasperation
Have'em all healed of their lacerations
Have'em all killed by assassination
I can make anybody go to prison
Just because I don't like'em and
I can do anything with no permission
I have it all under my command
Because I can guide a missile by satellite
By satellite
By satellite
And I can hit a target through a telescope
Through a telescope
Through a telescope
And I can end the planet in a holocaust
In a holocaust
In a holocaust
In a holocaust
In a holocaust
In a holocaust
In a holocaust

I can ride my bike with no handlebars
No handlebars
No handlebars

I can ride my bike with no handlebars
No handlebars
No handlebars

Saturday, August 29, 2009

Thanks, Lefsetz, for nailing it today: "[W]hat has this got to do with artistry?"

Great stuff from Bob Lefsetz today. Here's an especially astute passage ...

"The hysteria in the wake of the MTV-era gives the impression that musical artists are akin to the Hollywood royalty of yore, prancing around the world in fabulous clothing, leading a life of luxury. You wonder why we've got shit music? Blame people like Mariah Carey, who are busy being stars as opposed to people. Even Michael Jackson ... once he needed to outsell Thriller, as opposed to making a great album, he was history.

"And then there's Jay-Z. However great a rapper he might be, his audience reveres his business accomplishments. They too want to grab a toehold in music and turn into a conglomerate.

"But what has this got to do with artistry?

"An artist creates because he has to. Is willing to starve if his efforts don't engender commercial success. Historically, recording artists have been in bed with their record company, and radio and concert promoters, those left out of the loop were the audience, the paying customers.

"A label's interests often diverge from those of the artist. The label wants something that sells, they don't care if it's goose farts, as long as people buy it.

"Radio will blow smoke up your ass.

"The concert promoter is one guy, who ultimately brings along thousands of faceless people.

"What if you could suddenly have contact with these people? Instead of thinking about the marketing opportunities, think about the emotional component. Artists may execute in a vacuum, but they do so to be connected, to feel at one with the audience. What if social networking fed the soul of the artist more than his bank account?

"You don't want to toil in oblivion. You want reassurance that you're on the correct path. It's not only sales numbers, but the reaction. You gauge the excitement, the intensity... Sometimes extreme negative reactions fuel the artist's fire, he knows he's challenging convention, but if no one reacts, he's missed his mark.

...

"Instead of tools of the corporation being forced to render what gatekeepers will flog, that will generate instant revenue, true artists are being inspired by their fans, to continue to create, to test limits, to wow and fulfill them.

"Every artist is concerned what the public thinks. You're almost never sure what you've done is any good. Only by bouncing it off listeners can an artist know whether he's on the right path. Rather than take three years off to record an album no one wants, better to interact with your fans, take their temperature, gauge their reaction. I'm not saying to bend your music to their desires, but only by hearing what someone has to say can you clearly define your path."


Read the gestalt work: http://lefsetz.com/wordpress
http://www.twitter.com/lefsetz

Wednesday, August 26, 2009

I can't WAIT for Kyle Galanaugh to be a household name so I can tell folks he was my neighbor, played FAB guitar in the courtyard and LOVES ferrets

Indie pop artist Kyle Galanaugh, who may or may not perform in Parker Library's Live Local Music Series, is expecting airplay for his single "Wait" on World Wide Waves, which has a syndicated radio show that is broadcast nationwide. More than 40 stations will be playing "Wait" starting Aug. 31. Below is the list of stations with dates and times. After "Wait" airs the first time, call and request it often!

Says Galanaugh: "Thank you all for your support!"

KEPL 1470 AM Estes Park, CO Fri 11am
KZYR 97.7 FM Avon-Vail, CO Sun 7pm
KZYR 97.7 FM Leadville, CO Sun 7pm
KSNO 103.9 FM Aspen, CO Sun 7pm
KSNO 93.5 FM Glenwood Spgs CO Sun 7pm
KSNO 94.9 FM Carbondale, CO Sun 7pm
KSNO 103.5 FM Basalt-El Jebel, CO Sun 7pm
KEJJ 98.3 FM Gunnison, CO Sun 8am
KEJJ 98.9 FM Crested Butte, CO Sun 8am
KPMX 105.7 FM Sterling, CO Sun 6pm
KHEN 106.9 FM Salida, CO Mon 2pm
KPTE 99.7 FM Durango, CO Sun 7pm
KPTE 99.7 FM Silverton-Ignacio, CO Sun 7pm
KSID 98.7 FM Sidney, NE Sun 8pm
KPTE 99.3 FM Farmington, NM Sun 7pm
KPTE 99.3 FM Flora Vista, NM Sun 7pm
KVSF 101.5 FM Santa Fe, NM Sun 7pm
WDYN 100.1 FM Rochester, NY Thur 9am
WDYN 100.1 FM Rochester, NY Sat 5pm
KEIF 104.7 FM Enid, OK Sun 5pm
KEIF 104.7 FM Enid, OK Tue 8pm
WRHR 95.3 FM Corbin,KY Sat 5pm
WRHR 95.3 FM Corbin,KY Sun 5pm
KOOL 97.9-89.2 FM East Coast, NZ Sun 12pm
KOOL 97.9-89.2 FM West Coast, NZ Tue 9pm
1.FM Indie Channel San Francisco, CA Mon 10am
1.FM Indie Channel San Francisco, CA Wed 12pm
1.FM Indie Channel San Francisco, CA Fri 3pm
Rocket Radio The World Tue 7pm
RadioUrbanJamz Jacksonville, FL Sat 6am
Radio M Conyers, GA Sun 5pm
Radio M Conyers, GA Mon 5am
XTSL Radio Oklahoma City, OK Wed 2pm
RCH 103 Hertford, NC Wed 4pm
RCH 103 Hertford, NC Fri 8am
KILA Los Angeles, CA Mon 10am
KILA Los Angeles, CA Wed 12pm
KILA Los Angeles, CA Fri 3pm
WRAJ Radio Long Island, NY Sat 6am
WRAJ Radio Long Island, NY Sun 6am
WRAJ Radio Long Island, NY Sun 4am
Power3201 Port St. Lucie, FL Sun 11am
NewArtistRadio Salt Lake City, UT 24/7/365
RCH 103 Hertford, NC 24/7/365
WhatsDoingTonight Denver, CO. 24/7/365
KYOU Radio podcast San Francisco, CA 24/7/365
KYCY 1550 AM San Francisco, CA Mon 12pm
KYCY 1550 AM San Francisco, CA Tues 8pm
KYCY 1550 AM San Francisco, CA Wed 12pm
KYCY 1550 AM San Francisco, CA Thurs 8pm
KYCY 1550 AM San Francisco, CA Fri 12pm
KYCY 1550 AM San Francisco, CA Sat 7am
KYCY 1550 AM San Francisco, CA Sun 7am
KFTM 1400 AM Ft. Morgan, CO Wed 6pm

www.kylegalanaugh.com
www.myspace.com/kylegalanaughmusic

FAB Lefsetz quote

This is typical Lefsetz:

The key is to be profitable, to sell enough records to cover your reduced costs. So you can keep the lights on, so you can still keep making records. Then again, what business is the major label in? Selling records or artist development? If the latter, according to Mike, shouldn't the album be FREE? At least the first couple? I think it's about getting attention first and foremost, Mike thinks you've got to make it easy, but the publishers won't. You can't give away tracks on iTunes because the publishers want to get PAID!

Visit the LefsetzLetter archive at http://lefsetz.com/wordpress/
Follow him on Twitter: http://www.twitter.com/lefsetz
Click here to subscribe to the LefsetzLetter.


Above: Boulder Boys done good. 3OH!3 have started an "unprecedented campaign" for the Best New Artist VMA at the 2009 MTV Video Music Awards. Don't forget to vote for the Locals Done Good from now until VMAs on Sept. 13 at vote3oh3.com.

Tuesday, August 25, 2009

Mini review from DCL's No. 1 F.O.E. fan!

Here's Joelle Hein on King of the Mountain by F.O.E.:

"Addictive beats, tough expert flow. Charisma pulls you in. Voted Denver's best HIP-HOP MC. A live show not to be missed."

Joelle then said: "Let me know if it works."


THAT WORKS, JOELLE BABY!!

(And BTW look for mass, similarly fabulous reviews to be posted here in the next few days!)

Saturday, August 22, 2009

So, yeah, F.O.E. is actually ALL THAT -- and Happy Birthday, Father of Enemies!!

So, um, yeah. The F.O.E. bra-throwing story is true, too. Thanks to the fabulous Heather Hamill of Jewell Tyme Music for the fabulous photos, which are going up on our Local Music shelves if the higher ups are cool with bra-throwing incidents during Westword Music Showcase Award shows, and I'm guessing they will let me slide on this one. Hopefully. ;)

So ... yeah. Finally got to catch F.O.E. live and: That man is all they say he is and more. (And he is very, very funny.)

Westword for some time has been into F.O.E. Even before the Big Award that garnered F.O.E. all the tossed bras and panties, which was really only a number of weeks ago.

Says Westword: F.O.E. "kills every venue he's booked at. He's also been tapped by ... notables to appear on their projects, and he rips it every time."

Totally. He hit that Thursday night. Why isn't he bigger than he is already?

Quibian Salazar-Moreno
in July wrote in Backbeat Online -- that's Westword's music blog, if you're from Neptune -- that F.O.E. and Whygee have been "hanging out in the studio together quite a bit lately. Although the two best rappers on either side of Colorado Boulevard are keeping mum on what they're working on, we were able to get snag a collaboration track from them. Produced by Puerto Rican producer Yallzee, the track features CharleyBrand on the hook and scathing verses from Whygee and F.O.E. Could we get a mixtape, EP, or even an album from these two sharing the mike? Take a listen to the track after the jump."

(Do click on the link and give a listen.)

Nicole Cormier
-- yes, that fabulous hip-hop writer for Colorado Music Buzz -- had this to say way back in March:

"F.O.E.'s comedic appeal crosses over to his extremely entertaining stage show. His presence is captivating, not only because of his movie-star grin and humorous voice manipulations, but also because of the raw lyrical ability that he possesses. [During] my first introduction to his live performance ... his voice and charisma had the whole crowd hooked.

"Though he's beyond funny, don’t let that fool you. His name is F.O.E. for a reason; he is upfront and lets people know how he feels. This is apparent in his hard, aggressive and honest flow. Many would classify his music style as Gangsta Rap, but he is conscious of what he speaks on, and tells a valid story. His appealing voice and uninhibited cadence makes his tracks interesting and catchy. 'What’s Fear' from King of the Mountain displays his lyrical and vocal range, and is my favorite track so far."

IMHO The Fox is too small a venue for F.O.E. Plus I want him to "cross over" so I can say I purchased a drink for him there. And that I drove from Parker to Boulder to see him live and buy him said drink at said Fox Theater.

(Side note: My date said what F.O.E. ordered was a "gangster drink." What's a gangster drink? Crown and Coke. Yes, baby! You heard it here first. ;)

My date also noted that it was kewl how F.O.E. handles promoting himself. He has got the talent, but he doesn't forget the fans either. He sends out notes via Twitter thanking folks who came. That's just good marketing.

Another not-so-side side note is that The Diamond Boiz were on fire, too. (They opened. The whole lot of them were opening for someone else.) Check out Dyalekt's myspace page and play the song "Ven Aqui." Good stuff, huh?

Dyalekt -- such a nice young man!

Truly: You gotta catch these kats live to fully appreciate how young they are.

But that's not even the half of it. They are truly very talented. The dick-grabbing move that all rappers do, that's just lost on me. But otherwise, musically, let's just say well worth that long-ass drive. But then I LOVE hip-hop just as much as the next guy over.

If you don't love hip-hop, you might not be fully enamored of these dudes. But check them out anyway, because you never know what individual track, regardless of genre, is gonna do it for you, yes? Just give "Tic Toc" a try. And give "Ven Aqui" a try.

I also love that song "Tha Box," which I think could do it as far as a cross-over hit. All these beautiful young Boulder girls were out there dancing, doing the best to answer the call to "put your box up." Which is to say they were making a little box shaped like Colorado with the fingers of each hand. (I forgot the video / camera at work, so I could not film it. Sorry. Sue me.)

Only a true Denver-ite would come up with something like -- an homage to the box state Colorado that has young, cute CU-Boulder freshmen out on the dance floor holding up their hands to make a box the shape of Colorado, flyover state extraordinaire. (But home-to-me-and-a-ton of-other-kewl-kats flyover, to be sure. ;)

Regarding being kewl: F.O.E. said a very funny thing -- note that he is very, very funny on stage in between songs -- about nobody ever saying they want to be a rap star. Everybody says they want to be a rock star. No one says they want to be a rap star.

That is so true. Even the Notorious B.I.G. (aka Biggie Smalls) thought to himself: rock star.

So F.O.E. was kind of rocking out, true to form. He's got a mowhawk of sorts. And he smokes a lot of pot on stage, which is an interesting twist because, you know, I'm a 40-year-old librarian. In Douglas County, to boot.

(Not that librarians promote pot-smoking elsewhere, say in Denver. Just that, well, you know: Douglas County is ultra-conservative. I have to wear my ultra-conservative shoes to work just so they'll let me in the door. ;)

I'm not going to dwell on that here. Especially when the tix are free and the art is high ;)

I'm just going to end by saying that part of his deal is to promote the idea of legalized marijuana, I'm guessing. ;)

So ... check out F.O.E. and let me know your thoughts. (Quite a few Douglas County Libraries patrons were waiting for King of the Mountain last time I checked, so you might have to wait a touch if you don't buy the CD -- and if you do trust me, just go ahead and buy it. You can check out his music on his myspace page before you get the CD. Or watch the vids. On and on. So many good choices in life!!)

In general, we should be getting a bunch of Local Music reviews to post here and Twitter-up pretty soon -- what with half the staff at my home of Parker Library listening to Local Music these last few weeks!

Just wait until I post a review from Joelle Hein -- she's Douglas County's biggest F.O.E. fan, hands down. She's doing a short piece for us on his King of the Mountain: Street Mix. I heard her talk about what she was going to put on what is known in library circles as a "shelf talker" -- a little writeup that tells you about something on the shelf, and I was like, um, can you write that down for me please?

And then: Can I Twitter that?

(BTW I hate the verb tweet. I do not tweet, I'm sorry. I post stuff on Twitter or Twitter about stuff or whatnot. I waterboard folks who tweet. I myself would not be caught dead tweeting.)

Post-post notes: Check out F.O.E. on the Box State Music YouTube Channel, and find out where to catch him live via his website, fatherofenemies.com -- you can also check out the video for "Tic Toc" there. He did that with Karma. Or just good ole myspace is great for these moments, too!

(I was having trouble getting the URL for the video to scale down for the size of this blog. Sorry. Will attempt more F.O.E. homages in the near fut.)

Last note, promise: Dyalekt -- his shirt says, in Spanish: Where's my money? Just in case you thought to ask. ;)

Thursday, August 20, 2009

Ode to Alf ... with kewl picture of Bonnaroo

This is sort of cheating, because I wrote this as part of a post on another blog about folks I love -- Lady Gaga came before Alf -- but it seemed especially fitting for a Local Music blog, so I'm re-posting it. SUE ME.

(The only other cool thing going on is that I'm going to see F.O.E. tonight at The Fox in Boulder. You know how I feel about F.O.E.!)

So ... anyway. Onward. This is my Ode to Alf at KTCL. He's the guy who does Locals Only.

Here you go. ...

Alf from KTCL

Like I used to run home from the bus stop to watch MTV with the girl across the street, Stacey Barnett. (And if you ever Google yourself and hit on this blog entry, Stacey, please know that I found a pic of you on Google and, GIRL YOU LOOK FABULOUS. Really. You do. And I wouldn't just say that.)

Anyhoo. Tonight Alf said something about this Culture Club video and how it made him think of eating cereal in front of MTV.

I like other things about him, too. He's a local -- so we've got that, too. Except he is a "Creeker" who graduated in '88. And I graduated from Boulder High School in 1987. Same year as Ms. Stacey Barnett, who has a swimming pool in her backyard. (Sorry, Stacey. I'm a librarian. Who used to work in newspapers. That and I'm nosy.)

Alf is an educated person. And educated in mathematics and Asian religion, to boot. That's just cool.

And he is "out." If there is one thing to love, it is an out person.

So. Anyway. You're cool, Alf. I always, always want to call in a song for your Sunday night retro show but feel like you'll think whatever song I choose is a cliche. Like "Wishing" by FOS or "Windows" by Missing Persons.

But, Alf my brother, you sound pretty unassuming and cool, so that could just be me being my freaky self.

I also like your Locals Only. That's great. You turned it from a show that no one wanted to host to a show that can help break a local act.

So, um, Alfie: If you are ever Googling yourself for kicks and you happen to read every single result and hit on this blog entry, would you please play the two songs I mentioned -- just some random Sunday -- during your retro show?

Thanks, my brother.

Peace out.

Monday, August 17, 2009

Librarians get excited about funny things -- like their own displays!





What's not to get excited about? It's LOCAL MUSIC, people! And it's my shrine to Angie Stevens!!

Thursday, August 13, 2009

Artist review: Elana Rogers

Here's Scott Brown (yes, of Music Therapy fame) on Elana Rogers. (Even though she is coming to do Parker Library's Live Local Music Series, I told him not to hold back ;)

Another CO artist from Jeanie: Elana Rogers.

(Many of Elana's shows have been put on hold since her cancer diagnosis in June of this year. You can find information on her blog Elana's Journey.)

The EP One of Those Days, released in 2005, is OK. Now, admittedly, I'm not the best person to ask about female folk artists. There's nothing wrong with the musicianship on this disc. Some passages are quite nice. I really like the song title, "Drugs Don't Work" -- could have been a good song there. The problem is, there's nothing really remarkable on this disc, either. The tracks kind of fade into a background of average modern folk music.

With Someone Like You, a full disc released in 2008, it seems like Elana has moved more into what she really sounds like. There's more, well, real feeling. The songs also just feel different -- more distinctive instrumentation, and she's actually doing more with what sounds like a pretty amazing voice. Songs like "Over" still make me cringe a little bit, with its '80s sax riffs, but songs like "What's It Gonna Be" more than make up for it. This set of songs just come in at a whole different and deeper level than the EP.

Skip the first one, and move right on to Someone Like You.

Then wait for her next one -- now, THAT one is gonna be something to listen to.

The Official Vaguely Naughty poster ...

Thanks to DCL designer Jake Hubbard for this perfect offering.

Be there, 6 p.m. Aug. 29, for the best alt-country performer this side of reality!

WOO ... something to do!




Thursday, August 6, 2009

Experience the vaguely naughty phenomenon of LIVE music in a library! Check out Angie Stevens & The Beautiful Wreck 08/29 @ Parker Library!

If you've never experienced live music in a library setting, you have no idea what you're missing. I will say that there is something vaguely naughty about the whole deal.

Find out firsthand what it is like to listen to a band in the library after hours. (And, yes, we went all high-end on you!)

Join us at 6 p.m. on Saturday, Aug. 29, at the Parker Library branch of Douglas County Libraries as we kick off the 2009-2010 run of Parker Library's Live Local Music Series with a performance by local favorite Angie Stevens & The Beautiful Wreck!

Stevens is an amazing indie / Americana / folk-rock princess who grew up in Rapid City, South Dakota.

Westword did a great piece on her three years ago this month, around the time of the Stand Up Girl discs. that really gives you a picture of her life leading up to her early 20s.

Angie Stevens just recently released Queen of This Mess, and I was lucky enough to catch her live at her CD release party at the Soiled Dove back in May.

She was truly fabulous live -- everything they say and more -- and The Beautiful Wreck is a band you write home about seeing live.

When I found out we could kick off the year with a high-end band, I did my homework, talking to a range of music writers, including a guy who has recommended other great music to me over the years: Mark Brown, music editor of the former Rocky Mountain News, who highly recommended Angie.

Brown on Angie: "With a songwriting acumen that is stunning for a 25-year-old and a gorgeous, warm voice that seemingly can do anything, Stevens is an artist who earns fans on the first listen or show. ... [She] is one of the best voices and songwriters I've heard in a long time, local or otherwise. She is a superb talent."

Jay Ruybal of Red Rocks calls Angie "the best female singer/songwriter to ever come out of Denver."

Other quotes from Angie's myspace page ...

"Angie Stevens is a songwriter in the truest sense of the word. Some people write good music with no story, others have good ideas with weak music. She writes passionate songs and there is power in her story. She's got the songs and her performance of them is riveting." Isaac Slade, The Fray

"Angie's voice knocks audiences over like a sledge-hammer!" Matt Fecher, Monolith Festival executive director

"We were just blown away by her talent. She shows such passion for music. ... I would drag every friend I know to her future shows. It was truly a spiritual performance. [She] really changed my life tonight. I'm so inspired I can't sleep." Eric Fletcher, Colorado Music Buzz

"See for yourself why people are tripping over themselves to see this powerful young woman perform." Swallow Hill, Denver

"Jewel would kill to be this good." Shay Quillen, San Jose Mercury News

"Her music not only exposes but expresses the human condition." CORE magazine

"The toast of Denver has a bittersweet country-folk voice and a way with words." Jon Bream, Minneapolis Star-Tribune

"One of the most talented chicks in the world." Jess Taylor, Eclectic Cafe, Brainerd, Minnesota

"This Denver-based singer-songwriter's ballads are layered, carrying both the toe-tapping satisfaction and quiet melancholy with which life often socks us. ... Keep your ears open for some exceptionally tasty bass work and for Stevens' seasoned voice, which subtly captures the feeling that things are neither right nor wrong, but a wonderful mix of both." Jake Schroeder, 5280 Magazine

WOO! Find out for yourself: Join us for music in the library -- after hours -- on Aug. 29!

And until then, enjoy her video for "Give It on Back" from Queen of This Mess (Boss Koala Records 2009).



http://www.myspace.com/angiestevens
http://www.angiestevens.com

Thursday, July 30, 2009

One of these things is not like the other, Or: What a music CD looks like in WorldCat ...

WorldCat is a catalog of about 50K libraries.

One of these images is what a CD looks like there.

If you can correctly guess which one is a WorldCat record, you might find yourself in a drawing for a Local Music CD of our choosing.

Stay tuned, cowgirls!

Venue for Angie Stevens -- NOT!

UPDATE: We are going to have Angie Stevens & The Beautiful Wreck play in the library proper. Trust me there is something vaguely naughty about music in a library after hours! BE THERE: PARKER LIBRARY!!

These are pics and brief video of the gazebo at O'Brien Park in Parker.

That's where, if God and the weather will allow, we WILL NOT be playing host to Angie Stevens & The Beautiful Wreck at our kickoff to the 2009-2010 run of our Live Local Music Series.

Angie Stevens is TO DIE FOR.
(She still is. I'm just updating the venue part of this posting!!)

I have had the privilege of seeing her perform live once at the Soiled Dove when she did her CD release show there. She was AMAZING.

Here's the biography section from Angie's website:

For a singer / songwriter to stand out from the pack, they have to possess the kind of magical voice that makes a listener stop in their tracks and pay attention.

Denver's Angie Stevens has that kind of voice, and it's drenched in Americana akin to
Patty Griffin or EmmyLou Harris.

Stevens also has the songwriting chops to match, as
Westword recently named her Denver's Best Singer / Songwriter.

Now Stevens is back with her third and most powerful album to date,
Queen of This Mess, [released] May 19 on Boss Koala Records and produced by Malcolm Burn.

"This album is different from previous albums I have put out in just about every aspect," says Stevens. "The musical arrangements were extremely important on this album and Malcolm kept it unique, simple and raw. We were going for a family style, Midwest-sitting on your porch-album with use of accordions, church style organ, violin, viola, low moaning guitar and delicate yet powerful vocals."

Burn, who has worked with Harris and Griffin as well as
Midnight Oil and Patti Smith, wanted to keep things organic with his recording approach, something that intrigued Stevens.

"He didn't use auto tune, kept takes to a minimum and mentored us on how
Simon and Garfunkel, Bob Dylan and John Cougar Mellancamp used to do it. It left a lot of room for creativity and cut out the need for perfection," Stevens added.

Stevens, whose music combines elements of alt-country, indie rock, contemporary folk and pop, has gained national attention over the last few years following the releases of her first two albums,
I'm Okay (2005) and Stand Up Girl (2006).

She's gained attention with a captivating live show that matches or exceeds the intensity on both albums. Her song, "
Sleepwalking," was featured on HBO's "Big Love" and her video for "Stand Up Girl" was a pick of the week on CMT's "Top 20 Video Countdown."

Stevens has toured as well, playing venues from
Hotel Cafe in Los Angeles to Coors Field in Denver and other venues in 21 states; and has showcased at SXSW, Sundance Film Festival and at the inaugural Monolith Festival at Red Rocks in 2007. Stevens is sponsored by Coors Beer and Cowgirlpunk Clothing.

Originally from the Northern Plains, Stevens pulls her music from her own life experience: The 1991 suicide of her older brother, Steven, the root of Angie's music and from where she gets her stage name, observing the struggle of her mother's alcoholism and trying to find her own way through the day-to-day havoc she has physically, mentally and emotionally endured.


"Go on: Just try to find a single soul who's seen Angie Stevens live and not been completely entranced. Backed by a stellar cast of musicians, Stevens engages audiences in a way that makes every performance feel intimate, like she's playing her songs just for you ... Stevens makes the icicles form on your spine the minute she takes the stage." -- Westword

Instrumentation

Angie Stevens -- lead vocals, guitar
Susan Phelan -- upright bass
Carlos Newman -- drums, percussion
Jon Wirtz -- keyboards/piano

Discography

Queen of This Mess (5/19/2009)
Seven Voices DVD/CD (2008)
Solo Session EP (2008)
Stand Up Girl (2006)
I'm Okay (2005)

Links

http://www.myspace.com/angiestevens
http://www.angiestevens.com

Join us at 6 p.m. on Aug. 29 at PARKER LIBRARY PROPER!

Wednesday, July 29, 2009

Help remodel our Local Music shelves while promoting yourself as a performer! What could be easier? Uh-huh. I'M SAYING!

LAST CALL: Looking to redecorate our Local Music shelves -- the whole branch that is Parker Library is undergoing a much-needed remodel -- we thought it would be way cool to have different images of local band and solo artists, in various sizes and orientations, signed by the artists.

Give us your old John Hancock, so to speak.

Black-and-white or color. Either. Entirely up to you. You can even email them to us to print so that we pay the postage.

When you are famous we will of course say: We knew them all along. We were there on the way up. We never wavered in our support.

And: He typed as if he were on fire.

Just think of the extra real estate for folks to know you and your CDs, which we probably have if you are a Local Musician with a CD out, and how cool it is to support libraries, especially a public library with such an awesome Local Music collection and Live Local Music Series.

Contact Jeanie at jstraub@dclibraries.org for more info!

Do it before I lose patience!

Monday, July 27, 2009

Catch F.O.E. on the way up -- today Monolith, tomorrow Tokyo Dome!

Today, in regards to powerhouse local artist F.O.E., I had one of those premonitions you have re a musical artist: that you'll be telling someone down the road how you exchanged Twitter postings or spit or something with them. Took baths together as children. Whatnot.

My claims to fame in this regard:

01 I won tix from Independent Records to see Coldplay at The Odgen -- or The Fillmore? (So long ago!)

And I had to BEG my girlfriend Claudia Hibbert to go with me.

That's sort of a claim to fame, isn't it? "Dude: I saw Coldplay when they couldn't give away tickets!"

02 The Beastie Boys. They were in town to play The Gothic when I was about 21, and they ate before the show at the first Taki's on Colfax. (The one that was right next to Denver Drug and Liquor, which is at still at 400 E. Colfax Ave. but under different owners.)

Their debut album, Licensed to Ill, had actually come out about four or five years before, in 1986, so I don't know why they were playing at The Gothic. And I'm not at all dissing The Gothic. Just saying that Licensed to Ill was the first rap LP to top the Billboard 200 chart.

To date, Licensed to Ill still holds the record for the fastest-selling debut on Columbia Records. Those boys sold more than five million copies. (Clearly you will see how me just listening to an artist with a modicum of interest can help catapult a great solo act or band to well deserved fame!)

See, I first heard Licensed to Ill when I was 17. It was during spring break of my senior year. I was in New Orleans visiting my girlfriend, Michele de Lorimier. She was looping Licensed to Ill. Nonstop.

And so, anyway, fast-forward to me being this cute 21-year-old going up to the boys at Taki's.

I see them and go up to them and say: "Hi. Hi. I just wanted to say HI."

They were like: Hi.

I'm sorry but that is a HUGE claim to fame.

I also saw the B-52s at Red Rocks well before they were cool. But anyway. Onward.

I have had this feeling recently during exchanges via Twitter or when emailing F.O.E. via Jewell Tyme Music: the feeling that I will be blabbing on about him in the near future. When he is doing venues like the Tokyo Dome, I'll be saying I saw him at the Monolith Festival at Red Rocks. He'll be there performing this year with The Pirate Signal.

Trust me when I say you're going to want to catch F.O.E. on the way up. Not only did “King of the Mountain” garner high praises, it led to F.O.E. being named one of the “Movers and Shakers of 2008” by Westword. Colorado Music Buzz called him one of the publication's picks for “Artists on the Verge of Greatness." If you are familiar with Westword and Colorado Music Buzz, you know I'm right about this.

Tic Toc!

Monday, July 20, 2009

The power of rock and roll

"You know the power of rock and roll. It can make you forget the economy, your romantic misadventures, all the trouble in your life." -- Bob Lefsetz

Visit the archive: http://lefsetz.com/wordpress/

http://www.twitter.com/lefsetz

Saturday, July 18, 2009

How to get your stuff into Parker Library's LOCAL MUSIC collection ...

This entry covers how to get your stuff into Parker Library's LOCAL MUSIC collection if you are someone other than the Meese kids or the guys in 3OH!3 or another Colorado performer who has, for all intents and purposes, "made it."

I'm writing this mostly because people ask about this, but also because not knowing the deets has prevented a few folks -- namely me* -- from seeing a good CD get into our Local Music collection.

Once I actually was in tears when our ace cataloger Erica once sent a CD back to me.

(No. Not really. But it does hurt to have her send stuff back with a note* like the one she sent me that time. I'll try to dig it up.)

I wrote up some of this in a posting entitled You're not a household name until I say so on the Colorado Music Buzz blog. This is a little more comprehensive.

BTW, on another matter, the guy from 93.3 who does Locals Only has a really good FAQ on his myspace -- http://www.myspace.com/alfradio -- about how to get your CD played during that show. This only covers how to get your CD into Parker Library's Local Music collection, but I would recommend trying to get your CD on the radio more than anything else other than being reviewed in Westword or in Colorado Music Buzz or another publication of merit. KTCL has a ton of power. So does 101.5. GOD I LOVE them.

So ... here are the details from our trusted, ace cataloger Erica on how you can be sure your music will get into our extensive, ever-growing, groove-a-licious Local Music collection at Parker Library, straight from Erica's email to this blog:

*** Begin transmission from Erica ***

As for what we need on a local CD (or any CD) in order to catalog it is:

* Name of the band, tracklist, copyright date. It helps to also have the copyright holder or record label but that's not absolutely necessary.
* We cannot accept anything burned onto a data CD-ROM, like the ones you buy in a 20-pack at Walmart.
* The CDs need to have the information printed upon them (or in the liner notes), not hand-written.
* And we can't accept demo copies (it is the same with advanced copies of books -- they're not the "real" thing, so they don't get cataloged). We're can only accept the end-product.

Any additional information is always great, such as standard identifiers and record label numbers, band members' names, name of recording studio, etc, but the aforementioned are the basic standards to get a CD into the catalog.

*** End transmission from Erica ***

Hope that helps. If you want us to purchase your CD because for some reason we haven't -- note that we are pretty good about keeping up on reviews, but it can sometimes take a while to get from purchase to catalog -- please, please, please do let us know. email me at jstraub@dclibraries.org.

If you would like to donate a copy, you do not even need to email me. Just mail the CD to me with a note that you are donating it.

Please address the package with the CD you would like to donate like this ...

Jeanie Straub
Local Music coordinator
Parker Library
10851 S. Crossroads Drive
Parker CO 80134


If you would like for us to purchase a copy of your CD, just email me and tell me about your CD. Send a link to your myspace so I can just click and listen.

(PLEASE, please: With all your fans, just make it easy. Don't say "Google me." Ever.)

If you were reviewed in Westword or Colorado Music Buzz or The Denver Post or an online publication, do tell. Just send the link.

Any compelling information that will make me want to buy your CD, spill it!

If I want to buy your CD, I will ask you to mail it with an invoice. Same address. Just add the invoice this time.

*** DO NOT SEND ME A CD WITH AN INVOICE UNLESS I HAVE EXPRESSLY SAID I WANT TO BUY A COPY FOR OUR COLLECTION. ***

And don't think I won't remember. I will remember.

Do you want me to come check out your band so I can Twitter about it? Let me know. Don't bombard me with invites. Just one will do.

OK. That should cover it. (Other than please link to us on myspace and follow us on Twitter.)

Thanks for making Colorado's music scene hot. Ciao for now!

___________________________________________________

* I tracked down a few of Erica’s notes / emails to share, mostly because she can be very funny:

Erica 01:

Ugh! Jeanie! I can't put this one in the system. It's not a 'real' recording and there's NO info. on the disc for me to use. How could they do that?!

Erica 02:

You can't kill me for Oblio Duo's lazyass ways. They're the ones who went out, bought a CD-ROM and burned their recording onto a normal disc...then markered their name on it. And you know what? That just pissed me off. I was going to write them to tell them they've been doing this long enough that they know how to get it out there professionally. I mean, come on! They made liner notes! They can't get a real CD? Really? Please.

And that's why their CD will not show up in our catalog. They're only hurting themselves.

Erica 03:

Haha! Getting the information from the band does nothing! If that worked, I'd've been doing it all along. No, I need the discs to be printed (not by hand) with the correct information, such as copyright information, name, title. Pretty much, we just don't accept CDs burned from a computer. It's the same as the "we don't catalog demos" standard. Technically, if I cataloged that CD, I'd have to put the information from the actual CD in the record and I dont think any band wants their album (or band name) to be Magnavox recordable compact disc 250S 1000mb. (I just made that up, btw)

There are a lot of CDs that don't have that information visibly printed on the actual CD (Stone Temple Pilots used to be really good at that, the bastards). But the information is in the packaging. And the CDs aren't homemade, burned from a PC.

Send anything you want over! As you know, if I can't catalog it, I'll just send it back. I'm hoping Oblio Duo and the Archers will re-release their CD from a better source than their basement.

Erica 04:

I have no idea why you have four copies of EAOD's The Great Collapse. I figured it was a replacement copy. I noticed, as I cataloged it, that such was not the case. If circulation doesn't pick up, sneak a copy into Castle Rock's music collection and one into Highlands Ranch. They don't have to know. :)